1937 Talbot-Lago T150-C SS Coupé by Figoni et Falaschi – RM Villa Erba Highlight

Here is a stunning example of peak car design. Timeless and enchanting lines from every angle.  Unbelievable finesse and shape to every panel — courtesy of the era’s best coachwork masters. But special even before that point.  This short-wheelbase, competition model has the lightweight sports-racing chassis and race engine.  It is also one of only two worldwide with fully enclosed front fenders. These were a difficult feat then and are similarly hard to achieve now.  Certainly they are impossible for any volume-produced machine.  The idea that they would help with aerodynamics is charming considering the top speeds of this car …

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1938 Talbot-Lago T150-C SuperSport Teardrop Coupe 20

1938 Talbot-Lago T150-C SuperSport Teardrop Coupe by Figoni et Falaschi

Most people will instantly think of the Bugatti Type 57 Atlantique or (Aerolithe) when asked about a gorgeous, art-deck teardrop coupe. But this Talbot-Lago is arguably far more beautiful than even that legendary Bugatti. Named the T150 Competition SuperSport, the car is clearly more than a static showpiece. Eleven of this “New York” body were hand-made by legendary coachbuilders and designers Figoni and Falaschi. So, is it the sexiest Teardrop Coupe ever made? We say yes. Three key reasons for the Talbot-Lago’s lasting and sumptuous beauty topping the Bugatti: — that last, artful bit of finesse in body shaping of …

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Spanish Bay Classics – 1948 DELAHAYE 135M Figoni et Falaschi Captivates In Black

Tucked over in the corner of Pebble Beach resorts is Spanish Bay, a more modern setup than the relatively classic (albeit still uber-lux) accommodations at The Lodge. And in a corner of a mini classic car display at Spanish Bay? This surreal 1948 Delahaye. It took more than a few minutes to even identify this car tonight – we even wondered if it was a replica briefly, simply because there is little info about each of these low-batch supercars handcrafted near Paris. The 135M is very enchanting in a rich black monotone — which is quite a contrast with many …

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